According to Andersen, classical white Western culture, with its alleged bond between Man, Society, Nature, and the Sacred, has fallen apart. Much like Julius Evola, whose postwar work Men Among Ruins (1953) Andersen refers to, 4 Andersen does not primarily talk about physical ruins, but of the scattered immaterial foundations of Western civilization he sees around him. 3 A cofounder of the identitarian think-tank Motpol, Andersen has published extensively under the penname Oskorei, a reference to the Asgårdsreia, the Riders of Asgaard, a band of undead ancestral spirits associated with Odin in Norse mythology, and King Arthur in Brittany and Celtic legends, known in Gaelic, Slavic and Polish folklore as the Wild Hunt, and as Ghost Riders in North American folk tales and folk music. Oskorei), discusses how his fellow fascists should best exploit the momentum they currently experience across the ‘once white world’. In Rising From the Ruins (2017), intellectual historian, political philosopher, and alt-right identitarian fascist Joakim Andersen (a.k.a. She must be seduced by greatness.’ 2 Accordingly, culture, fine arts, literature, film, storytelling, may be as important to disseminating the worldview of contemporary fascism as the programs, rallies and election campaigns of the fascist political parties, at least for the time being. Mencius Moldbug) wrote in 2019, ‘is the bloodless weapon that can replace the world. 1 ‘Art, in the broadest possible sense’, neoreactionary Dark Enlightenment thinker Curtis Yarvin (a.k.a. Hitler, after all, was an artist, to whom the German Volkgeist was the spirit of art itself. An important avenue for communicating fascist passion is cultural production: literature, music, film and art. It offers its adherents to be part of something greater than themselves, invoking their longing for glory, honor, and beauty, and inducing their capacities for hate, love, self-sacrifice, and violence. Online condolences for Donald can be made by visiting Sweden fascist culture fascist fiction violence heroism death love radical nationalismįascism – here used in its Griffian sense as a generic term for revolutionary nationalisms centered on a mythic core of national rebirth – has a discernible affective dimension. Thursday, April 26, 2018, at Peoples Co-op Funeral Home, located at 1400 West Main, Lone Wolf, Ok 58. Interment follows at Carmen Cemetery, Carmen, Oklahoma, with the United States Army performing graveside rites. Friday, April 27, 2018, at Hallmark Baptist Church, located at 905 West Rush, Enid, Oklahoma, with Pastor Clayton Stevicks officiating. Donald was also a member of the Hallmark Baptist Church in Enid.ĭonald is survived by his sons, Larry Weber of Lawton, Dan Weber and wife Janet of Oklahoma City, David Weber and wife Ramona of Mangum, and Ricky Weber and wife Wanda of Wichita Falls, Texas daughter Jeannie Stavrinakis and husband Peter of Lawton, and step-daughter Marie Hale of Greenville, Texas.ĭonald leaves a legacy of 21 grandchildren, 27 great-grandchildren, one great-great-granddaughter, nieces, nephews and a host of other relatives and friends.ĭonald was preceded in death by his parents John and Opal, wife Elonor, son Buddy John Weber, brothers Johnny and Lester Weber and sister Blanche Belknap.Ĭhurch Services for Donald are scheduled for 10:00 a.m. He loved his red truck.ĭonald loved his work, enjoyed listening to music, early on enjoyed dancing, fishing, hunting, was an avid OU fan and he kept up with politics.
He spent his school years in Carmen and later joined the United States Army.Įarly in life Donald was a custom harvester, owned and operated his own transportation company. Donald was born on December 8, 1927, on the family farm southeast of Carmen, Oklahoma, to John Jacob Weber and Maudie Opal (McClane) Weber.
Donald Lavern Weber passed from this life on April 22, 2018, in Enid at age 90.
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